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The awekening

the awekening

The Awakening (Alternativtitel: The Awakening: Geister der Vergangenheit) ist ein britischer Horrorfilm aus dem Jahr Regie führte Nick Murphy, das. vanstertaxi.nu - Kaufen Sie The Awakening - Geister der Vergangenheit günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen. The Awakening [dt./OV]. () Minages_16_and_over. England, Das Land ist nach dem Ersten Weltkrieg von Verlust und Trauer erschüttert.

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Thumb 1 - The Awakening - Geister der Vergangenheit · Thumb 2 - The Awakening - Geister der Vergangenheit · Thumb 3 - The Awakening - Geister der . More Info · Google+. The Awakening ein Film von Nick Murphy mit Rebecca Hall, Dominic West. Inhaltsangabe: England ist nach dem Ersten Weltkrieg von Verlust und Trauer.{/PREVIEW}

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{ITEM-100%-1-1}Veröffentlicht im Jahr , wurde es als eine Ode auf die britischen Soldaten, welche im Ersten Weltkrieg starben, betrachtet. England ist nach dem Ersten Weltkrieg von Verlust und Trauer überwältigt. Diese ermöglichen eine bessere Dienstbarkeit unserer Website. England ist nach dem Ersten Weltkrieg von Verlust und Trauer überwältigt. FSK ab 12 freigegeben. Stephen Volk Nick Murphy. Victor Parry Felix Soper: Der Film baut die Spannung langsam auf. Juni auf DVD 1 Std. Veröffentlicht im Jahr , wurde es als eine Ode auf die britischen Soldaten, welche im Ersten Weltkrieg starben, betrachtet.{/ITEM}

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At first aloof and finding excuses not to be near Edna , he eventually confesses his passionate love for her. He admits that the business trip to Mexico was an excuse to escape a relationship that would never work.

When Edna returns home, she finds a note from Robert stating that he has left forever, as he loves her too much to shame her by engaging in a relationship with a married woman.

Edna escapes in an ultimate manner by committing suicide, drowning herself in the waters of the Gulf of Mexico. Kate Chopin's narrative style in The Awakening can be categorized as naturalism.

Chopin's novel bears the hallmarks of French short story writer Guy de Maupassant 's style: This demonstrates Chopin's admiration for Maupassant, yet another example of the enormous influence Maupassant exercised on nineteenth-century literary realism.

However, Chopin's style could more accurately be described as a hybrid that captures contemporary narrative currents and looks forward to various trends in Southern and European literature.

Mixed into Chopin's overarching nineteenth-century realism is an incisive and often humorous skewering of upper-class pretension, reminiscent of direct contemporaries such as Oscar Wilde , Henry James , Edith Wharton , and George Bernard Shaw.

Also evident in The Awakening is the future of the Southern novel as a distinct genre, not only in setting and subject matter but in narrative style.

Chopin's lyrical portrayal of her protagonist's shifting emotions is a narrative technique that Faulkner would expand upon in novels like Absalom, Absalom!

Chopin portrays her experiences of the Creole lifestyle, in which women were under strict rules and limited to the role of wife and mother, which influenced her "local color" fiction and focus on the Creole culture.

By using characters of French descent she was able to get away with publishing these stories, because the characters were viewed as "foreign", without her readers being as shocked as they were when Edna Pontellier, a white Protestant, strays from the expectations of society.

The plot anticipated the stories of Eudora Welty and Flannery O'Connor and the plays of William Inge , while Edna Pontellier's emotional crises and her eventual tragic fall look ahead to the complex female characters of Tennessee Williams 's plays.

Chopin's own life, particularly in terms of having her own sense of identity—aside from men and her children—inspired The Awakening.

Her upbringing also shaped her views, as she lived with her widowed mother, grandmother and great-grandmother, all of whom were intellectual, independent women.

After her father was killed on All Saints' Day and her brother died from typhoid on Mardi Gras, Chopin became skeptical of religion, which she presents through Edna, who finds church "suffocating".

Being widowed and left with six children to look after influenced Chopin's writing, which she began at this time. Emily Toth argues against the view that Chopin was ostracized from St.

Louis after the publication of The Awakening , stating that many St. Louis women praised her; male critics condemned her novel.

Aspects of Chopin's style also prefigure the intensely lyrical and experimental style of novelists such as Virginia Woolf and the unsentimental focus on female intellectual and emotional growth in the novels of Sigrid Undset and Doris Lessing.

Chopin's most important stylistic legacy is the detachment of the narrator. In the novel, there are several occasions in which Kate Chopin uses symbolism.

Symbolism, a literary device, is the use of symbols to signify ideas and qualities by giving them symbolic meanings that are different from their literal sense.

Birds — In the beginning of the book, a parrot is in a cage shouting to Mr. It also represents how Edna is caged in her society, without much freedom to live as she pleases.

As Edna is walking towards the ocean in the end of the novel we see a bird with a broken wing. Many have a different interpretation of this injured bird.

Some would say that the bird is a representation of Edna finally breaking away from the idea of Victorian womanhood, this is because throughout the entire novel we see caged birds and now we are finally seeing a bird that is free despite its injury.

Ocean — The ocean can be interpreted to represent many different things. While the Pontellier family are vacationing at the resort Edna teaches herself how to swim.

The ending of the book all depends on how the reader perceives it to be. Many questions whether or not Edna dies in the end of the novel.

If Edna is thought to be dead, then it is an ironic death because the sea is where she discovered herself. Those that believe Edna purposely kills herself justify her death as saying the ocean is what Edna believed what would free her from the chains that were placed on her by society.

Piano — Throughout the novel many characters play musical instruments, specifically the piano. It is as if she has a better understanding of herself and her feelings after hearing the woman play the piano.

Edna also feels that same emotion when Mademoiselle Reisz plays the piano. It is as if the music that comes from this instrument represents how these women inspire Edna to become a stronger and more independent woman.

One of the most prominent themes in The Awakening is solitude. As referenced previously, Chopin's work once contained the word in its title when it was originally called A Solitary Soul.

Through Edna Pontellier's journey, Kate Chopin sought to highlight the different ways that a woman could be in solitude because of the expectations of motherhood, ethnicity, marriage, social norms, and gender.

Chopin presents Edna's autonomous separation from society and friends as individually empowering while still examining the risks of self-exploration and subsequent loneliness.

In an attempt to shed her societal role of mother and wife, Edna takes charge of her limited life and makes changes to better discover her true self.

For example, Edna leaves her husband and moves into a new house to live by herself, a controversial action since a true woman would never leave her husband.

Although Edna's journey ultimately leads to an unsustainable solitude due to lack of societal support, "her death indicates self-possession rather than a retreat from a dilemma.

An enjoyably old-fashioned ghost story in the vein of "The Others" and "The Orphanage. I do not normally ever say this, but The Awakening actually offended me it was so egregiously bad.

If you're in the mood for some serious spooks with solid acting, The Awakening is worth checking out; but I wouldn't go out of my way if you're looking for anything more than that.

A concise little old-school British ghost story, and I say there's always room for a few more of those.

The Awakening glides ghost-like through its story, laying its own elaborate traps along the way. Despite a promising beginning and a solid art direction, this conventional ghost story never goes beyond its clearly derivative narrative - which, among many deficiencies, tries to be clever with a lame and unnecessary twist but is only convoluted and obvious.

Saved by a decent twist at the end, but is pretty dull viewing getting there. I was glad I stuck with it, though - genuinely creepy at the end.

A more than average British thriller that excites the senses. More Top Movies Trailers Forums. Season 7 Black Lightning: Season 2 DC's Legends of Tomorrow: Season 4 The Deuce: Season 2 Doctor Who: Season 11 The Flash: Season 3 Saturday Night Live: Season 4 The Walking Dead: The Crimes of Grindelwald First Reviews: Less Magical than the First.

But, all of these stories that imagine something beyond tradition have Thelma and Louise endings. It is just the only conceivable alternative in a society that offers nothing for women but marriage.

Probably too much at times. That is one of the main reasons I hate weddings — because so often you have this new, fragile relationship, and what do people decide to do to it?

Smash it with the sledgehammer of planning a giant event that symbolizes the most bitter and painful emotional vulnerabilities of everyone in the general vicinity.

The relationship might be beautiful and strong going into a wedding, but after getting piled with the emotional baggage of the families and friends involved, it is something else entirely.

It is just off the rack, but threadbare already from wear and strain. And a marriage, a wedding, is not a relationship. A marriage is a contract.

A wedding is an event. A divorce is a dissolution of a contract. A relationship is something else. Sometimes a wedding is too heavy for a relationship to bear, and sometimes a marriage is too heavy for it.

It often looks to me, when people get engaged, like they are trying to subscribe to a certain type of relationship and the engagement is the subscription form.

And, nobody knows how strong they are but the people in the relationship, and sometimes not even them. But, also, if you are Edna, if you are living your life, going along, and then you suddenly realize that you are not living your life, but that you are in some kind of costume and acting in a play: None of your relationships exist, but the people around you have relationships with the character you played.

And there is no going back. You've already betrayed them, and you didn't even know it, and they've already betrayed you by not realizing you weren't you.

When you start realizing who you are, there is too much momentum to turn around. You are already out of the cage and flying away, whether your wings are strong or weak, whether the wind is for you or against you.

The end of this story, to me, is a rejection of that world, which held nothing for Edna. It is a demand for something else.

It is sad, yes, because it is appalling that there was nothing for her, but it is not wrong or unfair, I think.

While I do not think the story is cautionary to women, I do think it is cautionary to the world. It says, what you hold for us, with your rigid, gendered propriety and your cages, is not enough.

We are more, so the world needs to be more. And I think it has become more. There are other options now because of books like this.

It is not easy or perfect, but it is something real, something that exists. View all 40 comments. May 01, Brother Odd rated it did not like it.

I'd like to give this book ZERO stars, but it's not an option. This is hands down the worst book that I've ever read.

I will never say that again in a review, because this one wins that prize. I had to read this thing twice in college, and it is a horrible story.

We are supposed to feel sympathy for a selfish woman with no redeemable qualities. Just because her marriage is bad it does not give her the right to be a lousy, despicable person.

Abandon your children, be completely self-absorbed, commit adultery, and drown yourself? No, no, no, and no. This is my problem with the book.

Drowning oneself and leaving one's children without the guidance of their mother is a tragedy. The book would have you believe it is a triumph.

This is the irredeemable flaw in the book. It is also physically impossible to die the way she did. You cannot float to the bottom of the ocean.

Your body will force you to swim and fight. It is a scientific fact that you cannot drown yourself without a struggle.

She would have struggled in the end. Yes you can swim out so far that you can't make it back in and would drown in the process.

But no, you can't just sink to the bottom. It would be a horrible, gagging, gasping, throwing up salt water, kicking your arms and legs fight.

The writing itself is nothing special. Chopin is not a bad writer on a technical level, but she is no expert either. I hate to be the one raining on the parade, but this is the most overrated book I have ever come across.

View all 41 comments. Isabella Can you please cite explicitly from the text where it said she just carelessly 'floated to the bottom?

Kathryn I love the discussion this book provoked. Probably what the author intended in However, because of the closed minded attitudes of that time peri I love the discussion this book provoked.

However, because of the closed minded attitudes of that time period; the book was burned and banned for decades. We may not like the character that Ms Chopin wrote about but the book is clearly thought provoking.

I am happy to be able to read it now. Aug 07, James rated it really liked it Shelves: I read this book several years ago and wrote a paper on how society treated women during that period in literature.

I cut and paste some from it below, as I think it offers more than a normal review on this one. Please keep in mind, I'm referring to women in the 19th century, i.

As for the book -- it's fantastic And for the record, I loved Edna Society expects women to remain pure and chaste, to ignore the urge to engage in any type of behavior that could be construed as flirtatious, and to follow the demands of their fathers until marriage.

However, women see these limitations as too restrictive, which is why they live their lives in a way that suits them and not others. Women often take control of their own lives by participating in flirtatious behaviors, ignoring parental wishes, and engaging in pre-marital sex.

When women are married and still wish to live their own lives, they may have extra-marital affairs, they may leave their husbands or lovers, and they may commit suicide.

These behaviors are ways of striking out against the unfair limitations placed on them. As a result of this hostility and striking out, whether or not women are truly innocent has pervaded the minds of American society.

The realistic period of literature, from the end of the Civil War to World War I- , contains many works that are representative of women and their level of innocence.

Edna is somewhat guilty, although she has an excuse. Edna is just entering her womanhood for the first time at a time when views were quite different than today.

She may lose her innocence with several men, but she never knew what innocence was prior to her sexual awakening. After thinking about her future, Edna meanders down the path of self-destruction and commits suicide, as a way to get out of the misery that she is in.

When her innocence appears to be lost, she chooses to take her own life, rather than fight to show society that she has done nothing wrong.

However, she never really loses her innocence permanently, as it was only hidden under her awakening to womanhood.

Even though the story still takes place in America, the French Creole society is more European than American. It expects the people that live there to follow European beliefs about women, innocence, and sexuality.

Edna has been married to Leonce Pontellier for several years and they have two sons also. They spend their summer vacations on an island off the coast of Louisiana during the summers, not that far from the mainland where they usually live.

Edna grew up with a father who expected her to follow his rules as perfectly as possible. His interpretation of religion was to be irreconcilable during the week, and then atone for it on Sundays at worship.

Edna thus became two separate souls within her own body. She wanted to be pious and good which explains why she remained married to Leonce in a loveless marriage for nearly ten years.

However, she also had a passionate, wild side to her which suddenly erupted after she met Robert Lebrun on the Grand Isle.

According to James H. Justus, the imbalance which haunts Edna is within the self, and the dilemma is resolved in terms of her psychic compulsions.

Edna Pontellier is bored with her husband, her life of motherhood and housekeeping upon her return to the mainland. She also wants to be free to do whatever she chooses instead of being chained to her husband.

She enjoys the attention that she gets from Robert and finds the young man quite attractive. Edna never had a chance to grow up as a woman.

As a result, she is forced to suppress her sexuality, and it comes out full force during her summer vacation with the Lebruns. She finally has evidence from the way Robert has been treating her and from her own emerging sense of self that she might choose to live in a more meaningful, constructive and active way.

However, Edna loses Robert when he leaves the country, and she is forced to return home with her husband and two children where her life becomes monotonous and dull without Robert.

Later, She meets Alcee Arobin, who reminds her of Robert in some ways. Edna and Arobin also begin an affair with each other.

He is a sexual partner who does not ask for, expect, or give love. Consequently, Edna need not feel that she is compromising him because she loves another.

What she slowly discovers is that there is no way to separate what the body does from what the mind or heart is feeling without creating a violation of self Bogarad Edna definitely seems as though she has no morals by this time.

Edna Pontellier is a victim of fate, and cannot be faulted for that. After moving out of the house and living on her own, in the way that she wants to, Edna slowly dwindles down to nothing.

She loses her husband, Robert, and Alcee. In the end, Edna is left barren and desolate. She wanders out to the sea, strips off her clothes, and jumps in to her death.

Edna Pontellier may have had some affairs, but she still remains innocent in some ways. She never knew what love was when she married Leonce.

She had been influenced by her father and assumed that she would fall in love with Leonce once they got married.

Nevertheless, Edna tries unsuccessfully, so she then determines to just have a good time, but she falls for Robert and enters into a relationship with him - perhaps the first one when their is requited love between the two.

Edna suffered at the hand so fate and her father. She rarely had control of her own life. About Me For those new to me or my reviews I read A LOT.

I write A LOT. First the book review goes on Goodreads, and then I send it on over to my WordPress blog at https: Leave a comment and let me know what you think.

Vote in the poll and ratings. Thanks for stopping by. All written content is my original creation and copyrighted to me, but the graphics and images were linked from other sites and belong to them.

Many thanks to their original creators. View all 8 comments. This review is being posted mainly because of the awesome backstory.

I actually had to read this twice in high school and didn't care for it much either time. But, here comes my great story!

When I was a sophomore in high school I went out with this girl who eventually dumped me and gave the reason that she was only going out with me until the guy she really liked showed interest in her.

Fast forward to senior year. I was in theater and I just so happened to do shows at the all g This review is being posted mainly because of the awesome backstory.

I was in theater and I just so happened to do shows at the all girls school where the aforementioned girl went.

After a performance I was Albert Peterson in Bye Bye Birdie , she came up to me and said that she needed to talk to me and that she was interested in me attending prom with her!??

I hadn't talked to her in a couple of years. I said yes, but I was skeptical. While at prom she sat me down for "the talk". She said that she felt terrible for what she did to me.

She said that while reading The Awakening, she started to realize that I was really good to her and being the place holder for this other guy was not fair to me.

This essay ended up winning some sort of state-wide competition. So, I got my vindication, but history repeated itself - at least I wasn't officially dating her this time!

View all 25 comments. Feb 20, Sanjina rated it it was ok. This review has been hidden because it contains spoilers. To view it, click here. I guess I can understand why The Awakening is considered so important in the development of the feminist canon.

At the same time, I can understand why it was rejected so adamantly in its own time. Chopin is an okay writer. Her work, however, seethes ignorance.

Her work was ignored in its time because it really was not worth the recognition. The protagonist, 29, seems to awaken into an adolescence of sorts in this book.

In the guise of d I guess I can understand why The Awakening is considered so important in the development of the feminist canon. In the guise of discovering her sexuality and moving towards some kind of self-actualization, she does little more than become the town trollop while engaging in pseudo intellectual banter and hysterics.

Yes, I said hysterics. She addresses such issues as being a prisoner of marriage, society, social graces, and motherhood. At the same time, she never makes the mental baby steps towards a lifestyle that would give her the power of her own agency.

She is spoiled, coddled, and does not have the courage to be a self sufficient person. When she decides to rebel, she does it by cheating on her husband, abandoning her children and responsibilities.

All the time she is surrounded by servants, extravagance, and people feeding her distorted sense of entitlement.

Ultimately she is humiliated when someone with a better sense of reality rejects her advances. She is left to build this new life for herself alone.

This tremendous blow leads her to suicide. She could not handle standing on her own two feet. Not in Creole Louisiana.

Those were the building blocks of feminist writing. Chopin is spoiled, confused, and completely unaware of how the world around her really works.

View all 10 comments. WOW probably the most beautifully written book i've ever read, plus so much feminism it makes me weak. I adore this book and I am going to be buying my own copy soon so that i can reread and reread and reread it until I die.

View all 4 comments. Nov 13, Houston rated it it was amazing Recommends it for: He could see plainly that she was not herself. That is, he could not see that she was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.

My wife has been telling me about them. Put your foot down good and hard; the only way to manage a wife. The book is her journey, inward and then outward as well, to finding who she is and how she wants to be.

The Doctor even accuses the husband of being too lenient. At this time, and even now, women struggle to gain independence from the role of wife and mother.

Trying to figure out where the self is within the confines of those roles, and how to manage the three successfully is still difficult.

This resolve is what leads her to her final decision, becoming absolutely her own person to the exclusion of any other role.

The end is somewhat disturbing, though poetic. The struggle between Edna and her environment, her time and those around her—her inner struggles—all seem to lead her to that final point of no return.

Even though the entire plot of this novel can be summed up as, "woman sits around and does nothing while having feminine thoughts", there is a resounding beauty in its monotony.

The Awakening is a quick and affecting novel especially with that ending. While I do think that it may be slightly subject to over-hype, there is no contesting its importance as an early feminist work.

And on that account, I would recommend it. Apr 13, Kelly rated it really liked it Shelves: These novels are all variations on the same theme, but the basic outline is the same.

This one will serve to give you a pretty good idea of the lot: Edna Pontellier is the rather well-to-do wife of a New Orleans businessman with two children, a well-appointed home, servants and a clear, clearly fulfilled place in her particular social circle.

Her husband is kind to her in many conventional ways: None of these expectations is particularly out-of-line for her time and place, and indeed she has never had to bear some of the extra morally horrible but legally acceptable extra burdens other wives have to shoulder without questioning.

Her husband is occasionally rude and out of temper, he sometimes spends his evening out with his friends and blames her unfairly for occurrences that are blown all out of proportion.

But that's about it. He expects to everything at home reflect his success out of the home, including the dinner he eats which he seems to be more upset about on the basis that it does not suit his status than anything.

When she deviates from her conventionally feminine choices, he assumes she may need medical treatment. Then of course, she has to decide what to do next.

This is where a lot of the stories differ. Thus, all she is supposed to have to offer is a life of selfless service to others that she is dependent on.

Thus it makes sense for her to consider herself not only less than nothing, but actually actively evil for denying to further repay society what is seen as her only natural duty, given her lack of these highest blessings.

All Passion Spent is another perhaps more mature parallel. In this iteration, Lady Slane actually has achieved the husband and children. What is more, they are grown and successful, with children of their own.

As Edna states clearly and expressively in The Awakening: Her Bartleby moment comes through in a meeting deciding her future, where her children have almost forgotten that she is a participant in the conversation.

She decides to live out her life, like Lolly, in a house of her own. A quirky, falling apart house with a sympathetic caretaker, becomes, bafflingly to her family, of greater interest to her than her children and grandchildren.

The Enchanted April is a luxurious, loving and-all-too-temporary bath of the golden sunlight of the prime of this story.

The women involved take a house in Italy and spend charmed, perpetually-twilight-hour weeks of stillness, contemplation, repressed anger and joy escaping their obligations to their family, to their husbands or other men, their poses to the world and their need to repress their feelings.

There is one woman, indeed, who sometimes barely seems to move at all, perpetually walking around with a suppressed, blissful smile on her face.

There are men in the novel, but they enter what is clearly a world of women, enchanted indeed by their fantasies and repressed longings.

Some women place more boundaries and limitations on letting themselves go than others, but the trend is there, and it is the opposite of what is found on the outside.

Even this brief moment of suspension and stillness restores some of the women enough to go on, some couples leave transformed, more or less, and we fade out with quiet, with sheer quiet still the ultimate dream of nirvana.

Dalloway provides a different, more kaleidoscopic perspective on the same theme, perhaps even a slightly more optimistic and loving one in its own way.

Clarissa Dalloway actually finds a kind of fulfillment in her duties as a housewife, in her every day errands and domestic creations.

Clarissa Dalloway, like Edna, understands that split between the interior and exterior life and instinctively lives it out each day.

She, like these other women, has desires beyond her household, but has found reasons not to fulfill them. She has found her own way of making her life her own- even with a husband that she seems to have not much connection to, with a former lover for whom she can still have strong feelings after all these years, and with an unsatisfying daughter who is decidedly not her double in any way.

Her slightly more optimistic conclusion in its way about the business of fulfilling her role as a woman and what it can lead to, at its best, does not at all lessen the struggles and doubts and reflections that we see her go through.

She maintains her personhood throughout, which is triumph most of these ladies desire to achieve anyway. Anna Karenina has its own piece to share as well, of course, in its way.

But these headlong, rush-to-the-head statements, these explosions of joy and rage are screams in the night, almost in a category by themselves, one separate from the whispers, the candlelight dreams and embedded-in-the-everyday transformations that are the rest of these books.

Those ladies seek to destroy, to smash, in a way, whereas these ladies seek to simply… exist in a different way.

They want to find a way for themselves that is slightly different, not the expected, but not…publicly.

These are still private individuals still interested in keeping their privacy and existing within most bounds.

They are at most…. They are interested in delving into and acting on some specific and long cherished thoughts that are not necessarily radically out of the norm.

I think the better predecessors are the more-or-less coded versions of the narrative that we find in Villette and Jane Eyre , and a wistful, painful statement of it through Dorothea in Middlemarch.

Villette, especially, offers its audience an ending that is, at best, deeply ambiguous as to whether it is marriage itself rather than the act of it that sets Lucy free or not.

Her husband will never be any sort of ideal, and the way that he speaks to her has what would politely be called bracing honesty for a virtue.

With Jane, of course, while she allows marriage to be more of an ideal achieved for her, the ideal is not achieved until they can meet as both financial and intellectual equals with something both material and spiritual to bring to the marriage, to assure anyone judging them that Jane has something worthwhile to contribute.

Like Lolly, her dreams and thoughts of how to conceptualize these capacities inside of her are bounded by the perceptions and assumptions that are presented to her by society.

Her disillusionment is both expected and painful to read about. What is interesting about her is that she actually is a person who wants obligations to fulfill and to provide the sort of self-sacrificial service that women are demanded to provide.

And yet, her end still leads to one of my favorite expressions of the reasons why feminism exists and is still so necessary: But no one stated exactly what else that was in her power she ought rather to have done.

Thus Edna Pontellier had many eloquent sisters saying, painting, singing, and subliminally messaging all the shades of this message for decades before The Awakening gained a wide, or almost any, audience.

But she was one of the ones who did it both first and openly remember again that the Brontes and George Eliot did it in more coded ways, and that Madame Bovary was, after all French and a scandal for decades.

In , while not banned, the book was widely rejected and shunned by the reading public. Libraries refused to carry it.

Of course I understand that in writing about women having any sort of sexual feeling or longing would have made this smut, automatically.

What I appreciate, and what I think other modern readers may appreciate about this particular iteration of the theme was how honest and free of….

There were minimal metaphors used to try to describe what she was trying to say, nor was the thing encased in the alternate, inner universe of thought.

The first major stand-off starts from a desire that Edna has to sleep outside on a hammock on a warm evening, rather than come inside. It is a small thing that increasingly becomes important the harder her husband pushes her on it.

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The Awekening Video

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